Reliving Jukebox 2005: Greenville, SC, The Peace Center
Photo courtesy & copyright 2005 DanieP80.
An electric atmosphere marked Clay's return to the Carolinas. It was also Clay's 2nd time playing the quiet and small South Carolina city of Greenville. During Clay's 2004 Summer Tour, his July 17 Greenville concert at the Bi-Lo Center was a hot ticket and a near-sell out. This time, the venue was the Peace Center- a venue some concertgoers described as the most intimate and exciting venue in the region. As such, Faye Parker's first JBT concert couldn't be more appropriate. A gleaming Faye watched as her son graced the stage singing the hit songs of the past 5 decades.
The Performances
- The 90's Banter -- Clay's energy was especially on (perhaps from the fact both Jaymes Foster Levy and Faye Parker was in attendence) during this concert. The 90's banter was a performance in itself. As Quiana, Angela and Jacob danced to "Don't Touch This", Clay remarked: "the beauty of this moment is that they have to keep dancing as long as I talk... and they look really tired, so... I think I'm gonna have a seat right here." (thanks to the CB's jerseymeclay for the quote)
- Bridge Over Troubled Water was another hit. Kitty4Clay said in her recap that "Bridge Over Troubled Water was Amazing!!". angelcat4jc said: "BOTW was the best I've ever heard! Just totally awesome. It was really worth the cramped seating to hear that again". jerseymeclay said it even better: "Bridge was pure, and sent me right back to AI2 finale."
- Back For More - Jaymes Foster Levy, the sophomore album's (ATDW) executive producer, was in the house tonight. Clay gave extra effort on Back For More. jersey said: "He really is magnificent. His talent alone is unbelievable, but paired with such an amazing, generous heart that loves the Lord, he is just ON FIRE!"
- Clack galore -- Clay's WDC was HAWT (need proof?... see the photo up there ^^)... heck the entire concert was HAWT. The venue was very lax on cameras. Some clack were gathered tonight.
No Stump the Band during this concert.
The Fans
Clay's biggest fans were at the concert. Among those in attendence were Clay's mom Faye Parker, the sophomore album's executive producer Jaymes Foster Levy and many big name Claymates from the Clay nation, including Goood Baby Brush. Ms. Parker had actually snuck into the venue without Clay knowing -- it all caught Clay by surprise. Perhaps she didn't want Clay to NOT do the 'thudly' stuff he does during WDC (just a thought... LOL). The concert also seemed to have successfully 'Clayverted' a MALE reporter from MSNBC who praised Clay by saying that "[Clay is] able to sing exceptionally well". We also found out (as if we didn't know already) that Clay had a flock of fans following him across the country. Many of the Atlanta concertgoers from the night before had followed the tour bus' route and found accomodations in South Carolina and North Carolina for the Greenville and Cary, NC concerts.
Classic Clay Moments
- Once again, Clay forgot the words to When You Say You Love Me. He wasn't as embarassed about it as he was the last 2 times he did it. Instead, he laughed it off with comedy. Here is the short recap from the CB's jerseymeclay:
For the third night, he's forgotten the words to WYSYLM, and it was hilarious!!! He pretended to walk off stage! He pulled his mic out of his ear and said, "I give up!" After the song, he explained how he keeps rehearsing that song so he won't mess it up... "There are 65 songs in this show, and I know the words to ALL of them except the ones from my album! Now that is just embarassing. But y'all don't care, do you?" SCREAMS!!! "Now I just want to try this again, just for the heck of it....'I've been watching you from afar, and the way you make your way around the bar, you LAUGH LIKE YOU'RE REALLY ENTERTAINED! That's it!" A girl on the front row had made CUE CARDS! He took them from her and flipped through and cracked up. "She made me cue cards for my own song! Now, see, if y'all had made cue cards, y'all could have been on the front row too. Are you going to be in Cary, NC tomorrow night? Good. Bring the cards with you."
Since this review is so good and truely reflective of the unique talent Clay has, it would be a shame if I did not quote it a second time on this main CDD blog. Courtesy MSNBC.
Audience is clay in Aiken's handsLinks
Singer won second place on 'Idol,' but first place with fans
COMMENTARY
By Andy Dehnart
MSNBC contributor
Updated: 6:23 p.m. ET Aug. 9, 2005
Less than a week after kicking off his 25-city "Jukebox Tour," Clay Aiken performed in Greenville, South Carolina. After performing an energetic review of hits from the '50s, '60s, '70s, '80s, and '90s, he concluded with a few original songs, including "When You Say You Love Me," which was on his first album, "Measure of a Man."
As he began to sing, he stumbled, arriving at the wrong words at the wrong time. The music kept playing but Clay turned to the singers on stage with him and said, "That's the third night in a row!" He laughed. "I don't know the words to this song!" Then Clay pretended to sulk off stage, letting one of his back-up singers take over, but he quickly came back to give it another try.
Then, in the front of the Peace Center's auditorium, near stage left, a fan held up a sign. But she wasn't proclaiming her love for Clay; instead, she was offering assistance. "Are those the cue cards for that song?" he asked, walking over toward her. In her hands were, in fact, homemade cue cards with the lyrics to "When You Say You Love Me." Having known of his tendency on this barely week-old tour to have trouble with the song, someone had constructed cue cards to help him out and passed them to the front of the auditorium. His fans knew he was going to mess up before he did.
"Although I feel completely, miserably embarrassed, I'm going to try to continue, if that's okay," Clay said. Then he asked, with mock incredulity, "How do you know I'm going to do the same ones I did last night?"
That's a good question, but there's an easy answer: Clay Aiken may have been the runner-up on "American Idol 2," but two years after he lost that competition, he has become the single most successful and popular reality TV show contestant ever. No other reality TV stars—and few stars of any other origin—have managed to build a fan base like that at the Peace Center last Wednesday. Other reality show participants have recognizable names (such as Omarosa, Richard Hatch), and others have gone on to successful careers (like Clay's "Idol" predecessor Kelly Clarkson, for example), but Clay has an audience like no other.
Even though Clay lost "Idol," he easily outsold winner Ruben Studdard in both singles and albums, and his debut record landed at number one upon its release. His fans are obsessively devoted to both Clay and his art, going online to discuss his music and his charity work (as a UNICEF ambassador, among other things).
There's even a Clay Aiken credit card, which can be used to buy everything from a Clay Aiken bucket hat to a Clay Aiken thong.
Play that not-so-funky music, skinny white boy
Why exactly is this "skinny white boy," as Clay described himself in Greenville, such a sensation? I went to Greenville to try to find out. What has inspired the rabid devotion that characterizes Claymates, as his fans are known? What sort of performance causes fans to attend concert after concert on the same tour?
Although a single concert just skims the surface of the phenomenon, from the moment Clay strutted out on-stage arm-in-arm with his back-up singers, the audience was, well, clay in Clay's hands.
Before the concert began, I asked a fan sitting in front of me to explain, in a sentence, why so many people loved Clay Aiken. "We came for the music, but we stayed for the man," she said.
This enthusiasm for both Clay and his art didn't subside the entire evening. Throughout the two-and-a-half-hour show, the audience stood up (during the fast songs) and sat down (when Clay was telling a story or singing a slower song). Waves of energy rippled throughout the auditorium as he performed medleys of well-known hits from the past half-century, more than capably tackling covers of songs by everyone from Elvis to Prince.
As Clay moved on stage, camera flashes strobed constantly, and tiny images of the stage were visible on dozens of video cameras' view screens. Some fans stood with cell phones open, broadcasting the concert to others around the country, who transcribed it online for the benefit of other fans. The audience cheered wildly when Clay accompanied himself on piano, because, someone quickly told me, he was just learning to play.
Everyone who's heard him knows that Clay can sing. But on stage, Clay is also energetic, humble, and awkward. He mixes self-depreciation with a dose of pretend, over-exaggerated ego, and genuinely appears to be having a great time interacting with his audience and his band. Far more experienced performers would have been thrown off after forgetting words to a song, but it didn't really phase Clay at all; in fact, he embraced it. His personality and persona are as much a part of his performance as his music.
During the performance, Angela Fisher and Quiana Parler sang back-up for him throughout the evening, but the phrase "back-up singer" doesn't really apply to either one. Clay literally shared the stage with them, as they performed their own solos as he stepped aside.
His gawkiness is especially endearing. Clay may be able to sing exceptionally well, but his on-stage talent drops off rapidly after that. Primarily, he dances like a wooden puppet on a stick.
But every time he'd awkwardly attempt a dance move, or just attempt to move a body part, screams would ripple through the crowd. And he played along, giving them more of what they wanted.
Watching Clay and his audience interact was revealing, but in many ways, the concert seems to be just the public side of his popularity. Fans gather online and in person, and have two and a half years of history with Clay; I don't know if I'll ever fully be able to see the Clay phenomenon in exactly the same way they do. But the performance made it clear that, in this era of manufactured pop, where top-40 music is constructed for the benefit of the audience by marketers and radio station conglomerates, Clay Aiken's fans believe they have found something real. That's ironic since Clay Aiken, the phenomenon, was born of "American Idol," which, with its narrow focus and snap judgments, is a televised look inside the machine that produces our entertainers.
At the same time, Clay's fans were introduced to him and his music and saw him work his way up throughout the competition. His talent and his personality are genuine, or at least appear to be, because we've watched him grow along the way. Clay Aiken may be a product of the "American Idol" factory, but to some degree, what went in is what came out, and that's just the way his fans like it.
Andy Dehnart is a writer and teacher who publishes reality blurred, a daily summary of reality TV news.
Copyright 2005 MSNBC Interactive
- CDD Jukebox Archives: Greenville, SC
- Photos from the Greenville concert
- Recaps from members of the Clay nation
- MeasureOfAFan.com video downloads
- Clayboard cellcert
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