MountainX Says Aiken's stardom "is the real thing"

Clay's the cover boy on this week's edition of MountainX, an independent newspaper based in Asheville, NC.

In the cover story, "Forming Clay into Rock", Alli Marshall offers a preview Clay's sold-out show at Biltmore Estate this Saturday. An abridgment appears below...

Forming Clay into Rock
by Alli Marshall in Vol. 14 / Iss. 02 on 08/08/2007

After 2003 American Idol runner-up Clay Aiken performed in Syracuse, N.Y. (backed by the Syracuse Symphony Orchestra, no less), the Web site Syracuse.com dubbed the pop singer “the beloved singing teddy bear placed near a young girl’s flouncy canopied bed.”

From Idol to icon: Although American Idol runner-up Clay Aiken may lack the artistic credibility that comes with a long career of paying dues, his devoted fans — the “Claymates”— don’t seem to mind. Aiken, as his devoted fans (known as “Claymates") can attest, is often given short shrift, celebrity-wise: Benign-geek status was not exactly the reputation favored by rock gods like Jim Morrison or Robert Plant. But the N.C. native (whose pre-Idol aspiration was to become a school principal and someday raise a family) is probably better suited to tender ballads and sports jackets than primal screams and leather chaps.

Getting Clay
Part of what differentiates Aiken from his fellow touring Idols is that, at each stop, he teams up with the symphony of that particular city.

“It’s rare and exciting for us to be able to do something like this,” enthuses Asheville Symphony Artistic Administrator Sally Keeney.

“He sings ["Baby Got Back” and “Sexy Back"] to make fun of how commercialized and soulless most of the songs that get radio play today are,” fan “Natalie” commented on the Xpress blogsite, responding to an open call to defend Aiken’s talents.

“Clay Aiken and his managers are very good musicians,” Hageman continues. “They have to be, at that level.”

In this case, the Biltmore Estate contracted with the local symphony as support for Aiken’s performance, a reversal of a more common arrangement where the orchestras hire the vocalists.

“There were a heck of a lot of symphony people having their socks knocked off after watching Clay’s performances,” blogger “Kayla,” who’s attended four out of nine shows on the Aiken tour, told Xpress.

“It is [RCA chairman] Clive Davis who put him in the ‘Manilow’ box,” she charges. “But believe me, Clay Aiken is so much more than that.”

It could be argued that Barry Manilow himself, with his countless hit singles, multiplatinum albums and worldwide record sales numbering more than 75 million, is something more than a tawdry troubadour. Aiken actually might be lucky to follow in the footsteps of the man who wrote, you know, the songs.

But Aiken, seemingly uncomfortable with accepting overnight stardom outright, is going beyond introducing Claymates to civic orchestras. Pre-Idol, the Raleigh native was a special-ed teacher, and he continues that particular line of work through the Bubel/Aiken Foundation charity he co-founded.

He’s also a celebrity ambassador for UNICEF and has traveled in that capacity to Uganda, Indonesia and Afghanistan. The latter trip earned him more press for the beard he grew out of respect for local customs than for his charity work.

Three albums on, Aiken’s tenuous stardom is finally looking less like a fluke and more like the real thing.

“He is the best all-around entertainer I have ever seen,” blogger “CarylAnn” (who’s seen Elton John, Billy Joel and Journey) told Xpress. “Clay has it all. The voice, the comedic timing and the way he interacts with his fans and makes fun of himself is hilarious.”

Or, as Claymate “Carol” puts it, “People are finally starting to ‘get’ Clay.”